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Two of my scripts let you press a key on the keyboard, or click with the mouse, and remotely release the shutter.  But just like the built in Windows Explorer technique for doing these they both only are able to trigger JPG, even if the camera is set to RAW.

Until today.  It turns out this is not that hard to fix.  But the programatic technique is a bit of a laugh; because Windows Image Automation does not officially support RAW the NEF files on my Nikon D300 are typed as being of “undefined” type.  Unlike JPG files which WIA does know are JPG files and are typed appropriately.

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I explained before how my remote shutter release script was actually redundant, because Windows has a built in feature that does this. Of course I did then go forward and make the self-portrait script which does do something more useful, remote shutter release combined with immediate download and viewing, but the original idea of a simple remote shutter is still useful.

So I thought a better explanation of how that Windows feature works might help, and it’s good practice for me making videos as well:

Via YouTube:

Via Vimeo:

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Well so much for my expensive remote control script for the D300 – yes it does work, but my script is entirely redundant as the same feature is actually built in to the Windows XP Camera and Scanner Wizard!  You know the one, described here.  It’s how most people get their digital images into their PC, even while those of us who “know better” use Adobe Bridge, or a card reader. 

In fact the Wizard has advantages; as a built in part of Windows it is even better as it gives you a immediate thumbnail of the image as soon as you take it.

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Yes, to go with my expensive D300 — I now find I have no wireless remote control shutter release.  The handly little not-particularly-cheap ML-L3 remote that worked for my D40 is no good for the D300.

Instead I’m supposed to buy an ML-3 remote – which costs about ten times the price.  Sure it does a lot more, but I don’t particularly want more, I just want to press a button in my hand while the camera is on a tripod at the other side of the room as I do endless self-portraits while practicing my off-camera lighting. 

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